Frontignano Art Walks, Italia

Il 15 ottobre Aerocene si è alzata in volo a Frontignano, una piccola frazione del comune di Ussita, in provincia di Macerata.

Situata nel cuore del Parco Nazionale dei Monti Sibillini, la cittadina è tristemente nota per essere stata uno degli epicentri dei terremoti del 2016: un evento, quello sismico, che ha messo in ginocchio la città, danneggiandola in modo sostanziale e decimando al contempo il numero di turisti che ogni inverno affollavano queste zone per le attività sciistiche.

L’evento si proponeva di riflettere sul significato e sulle possibilità degli “altipiani”, di ripensare le montagne e di come viverle in modo autentico e non invasivo. cittadina è tristemente nota per essere stata uno degli epicentri dei terremoti del 2016: un evento, quello sismico, che ha messo in ginocchio la città, danneggiandola in modo sostanziale e decimando al contempo il numero di turisti che ogni inverno affollavano queste zone per le attività sciistiche.

La scultura Aerocene ha volato attraverso lo splendido scenario e, in assenza di vento, si è alzata lentamente sopra l’orizzonte, mentre un pubblico attento seguiva i suoi movimenti ondulatori.

Sineglossa (@sineglossa_), C.A.S.A. (@portodimontagna), orizzontale (@orizzontale_architecture), BAM! Strategie Culturali (@bamstracult) e Go World (@goworld_touroperator).

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Museo Aero Solar Intiñan – COP20, Lima, Perú

We can become aerosolar

By Pablo Suarez, Ph.D.
Innovation Lead
Red Cross Red Crescent Climate Centre

On Sunday, December 7, 2014, Museo Aero Solar Intiñán became lighter than air and lifted off the ground, in the context of the annual UN Climate Conference in Lima -COP20. The event included former heads of state, national ministers, and leaders of development organizations from all continents. No need for helium or a burning flame feeding off fossil fuels: Just sunlight and the flame of motivated volunteers.

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Under Tomás’ vision and guidance, a team of local volunteers set to work, including artists, students and Red Cross youth, as well as grandmothers and children from the slums near Parque Wiracocha. They collectively constructed a Museo Aero Solar: a large, lighter-than-air sculpture made of plastic bags that would otherwise be trash, engaging people across generations. Named “Intiñán” (a Quechua word meaning “way of the sun”), the sculpture aimed to harness the sun’s power to make our thinking and action take flight.

While Museo Aero Solar Intiñán was absorbing the sun’s power before it took flight, many participants decided to experience the magic. People in suits and neckties removed their shoes and crawled into this cathedral of light made of simple plastic bags. An artistic vision was uniting Lima’s shanty town dwellers with Nobel-prize-winning scientists, Bangladeshi community organizers, TV crews, European donors and Ugandan disaster managers, all bonding and reigniting their commitment to a better world while looking up to the luminous world of possibilities from inside the incomprehensibly beautiful sculpture.

I imagine what Pablo must have gone through, to get bureaucratic sign-off on this. No metric of success. No Theory of Change. Him, fighting tooth and nail for a large and hugely risk-averse organization to trust, falls into the arms of a community, an artist, a facilitator, and a game maker. And they did. And it changed the entire event. People in suits crawling into this cathedral made of plastic bags, each individually cut and added with love to the whole. A pile of fancy shoes outside the entrance, like a ballroom bouncy castle. People’s unabashed joy watching art some of them had made into a room, and then lift off to become a transport

Willow Brugh

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Intiñán incarnated what our world needs: We can become aerosolar. We can mobilize the power of humanity, embracing science and art to rekindle our relationship with the world. The beauty, the sheer joy, and the deep inspiration that emerged from embarking on Tomás’ aerosolar ideas were magnificently uplifting. His invitation to an artistic experimental performance was an innovative, seriously fun endeavour that compelled us to re-imagine the world and its possibilities.

Hosted by Development & Climate Days, 2014: Zero poverty, Zero emissions, Within a generation.

With:

Studio Tomás Saraceno

Red Cross Red Crescent Climate Centre

Overseas Development Institute

American Red Cross

Peruvian Red Cross

Pablo Suarez, Carlos Pedreros, Willow Brugh, Helga Elsner Torres, Ramiro Espinoza Wong, Frances Munar Aparicio and many more!

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Aerocene at the Grand Palais – COP21, Paris, France

During the end of 2015, “Aerocene – Around the world to change the world”, an open project by Tomás Saraceno was presented at Grand Palais and Palais de Tokyo during the United Nations Climate Change Conference COP21. In the week spanning December 4 – 11 visitors to at Grand Palais in Paris, France, were able to admire the gigantic Aerocene sculptural installation, floating above the COP21 main conference venue.

The material realization was surpassed by the message it bore: Its aesthetic form followed a both utopian and real idea of open source force of movement. Inflated by the air, lifted by the sun, carried by the wind, the Aerocene project questions and seeks answers to our current and troublesome dependency on fossil and hydrocarbon fuels and pollution – the topics that place Aerocene at the core of the United Nations Climate Change Conference COP21 topical framework.

Around the world to change the world

Photography by Studio Tomás Saraceno, © 2015

In a world divided by geopolitics, Aerocene calls for participation and do-it-together actions. Crossing the frontiers between art, science and education, it becomes a visionary and open platform of shared knowledge. Thus it seeks for the deep understanding of our planet and all its physical, natural and social entanglements in order to project new ways of how we can move, dwell and be-together here on Earth.

For COP21 Paris, the artist presented the first Aerocene prototype at Grand Palais that will be able to circumnavigate the earth many times. At Palais de Tokyo, a symposium and a demonstrative workshop was organized, and a series of actions and collective performances, based on open-source collaborative principles, took place. Conformed participants of three panels’ event included Leila W. Kinney (MIT CAST), Marion Ackermann (Kunstsammlung NRW, K21 Düsseldorf), Oliver Morton (The Economist), Bronislaw Szerszynski (Lancaster University) and others.

Aerocene is an extraordinary work of art that is at once a sketch of a cutting-edge scientific laboratory for the environment, a technical and collaborative challenge and a committed work of art. The objective of this ambitious project, imagined by the Argentine artist Tomas Saraceno, is to float in the stratosphere, between planes and satellites, an open data climate watch, providing data and images in real time. To achieve this, the artist has imagined an innovative machine capable of carrying out "the longest thermodynamic flight" around the world, i.e. relying solely on the heat of the sun (without solar panels), the earth's infrared and natural physical processes. This sculptural "science fiction" will be presented in prototype form in the nave of the Grand Palais. At the same time, a symposium and workshop will be held at the Palais de Tokyo on the circulation of energy and its "poetic, ethical and political" implications.

LeMonde.fr

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Sven Steudte DL7AD in Houston

Meet Sven Steudte!

Sven is a german electronic engineer, private pilot and radio-amateur DL7AD.

As the creator of the custom balloon tracker Pecan Pico, he has been involved with Aerocene almost since its inception.

He is the author of the Pecan Pico, a custom designed & built electronic device that allows to track the geographic position of free-flying Aerocene Sculptures through radio-amateur APRS system.

The Pecan Pico tracker has been widely used to track free flying Aerocene Sculptures that have ventured into Poland and Easten Europe.

Over the time, Sven has developed and enduring friendship with Wlater Homes K5WH, an american radio amateur who has been flying and chasing balloons with radio equipment for years.

On September 2022, Sven, Walter and a small community of Texas based radio-amateurs launched a solar sculpture carrying Sven’s Pecan Pico tracker. The tracker was able to relay beautiful images from the earth by using the APRS radio amateur network.

Pecan Pico is a cheap lightweight APRS position tracker designed especially for small ballons which may fly for months. This tracker has been made in respect of weight, functionality and price because it’s usually used once like a satellite. While the balloon can fly for a long time, this tracker is solar powered and recharges it’s battery at daytime and uses the power stored in the battery at night. Since this version the tracker is also able to receive APRS

The balloon, launched in Houston, flew south to Central America by using the wind currents at 50000 feet altitude, reaching Guatemala. It later floated above the Sea of Cortez, and turned east along the Mexican American border. It was las tracked in the North Atlantic Ocean, near New York City.

This incredible trip tells many stories: friendship, collaborative work, the inner workings of our delicate and endangered atmosphere, and the results of using technology in un precedented ways.

Congratulations to Sven, Walter, and all the radio-amateur friends within the Aerocene Community!

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Under My Gaze

We are happy to invite the worldwide Aerocene Community, but especially those in Berlin, to the Under My Gaze aerosolar dance performance, by Renae Shadler and her collaborators together with Aerocene.

“The Sun gazes upon the Earth, creating and destroying life, the engine on which our ecosystems depend. Under my gaze is a ritual for our times, where bodies and voices pulse with the gravitational pull and combustive power of this solar giant, tracing the Sun’s movements through limb and skin, through reflection and darkness. Bodies and voices pulse with the gravitational pull and combustive power of this solar giant, tracing the Sun’s movements through limb and skin, through reflection and darkness.

Under my Gaze is a quartet performed by three people and the Aerocene sculpture that gives a body to the unseen forces that surround us: connecting Earth-bound dancers to aerial and cosmic worlds in a transforming landscape of shadowy creatures and molten forms.

The dancers explore ways to see the Sun without eyes, learning from other creatures – phototropic plants, hydra that sense light with their tentacles. The audience bears witness to this fierce and at times delicate interplay of force and form, tuning in via headphones to the rhythmic stomps and ethereal flight.

Under my Gaze proposes a new poetics of movement fuelled not by fossilised energy, but by the gaze of the Sun itself; moving with – rather than extracting from – the often invisible forces that stir and surround us.”

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As we learn to attune to the weather to adapt to new climates, the performance is weather dependent.

Under my Gaze
28-31. July 2022 / 11.30-12.45hr
St. Elisabeth Kirche, Invalidenstraße 4A, 10115 Berlin

The perfomance is open to everyone!
Purchasing a ticket grants you the experience of an audio soundtrack via wireless headphones.

More information: http://renaeshadler.com/undermygaze/

Presented by Renae Shadler & Collaborators in collaboration with Aerocene Foundation. Supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and Media within the program NEUSTART KULTUR.

FLIGHTS

Salar de Uyuni – Bolivia expedition

EXPEDITION LOGBOOK
Sala de Uyuni, Bolivia
20.1338° S, 67.4891° W
3,656 metres above sea level

In 2017 Tomas Saraceno and a small group of photographers, documentalists, artists and geographers visited the Salar de Uyuni in Bolivia, one of the world’s largest salt flats.

They were looking for images in which the horizon disappears as a result of the reflection of the sky on the water-covered surface of the salt flat, investigating the perception of floating in the clouds during the day or in the constellations of stars at night.

This Aerocenic gathering was a seed for many initiatives, connections, and cosmogonies that would later come together: the development of an international Aerocene community and the World Record making of Pacha flights in Salinas Grandes, piloted by Leticia Marques carrying the message of the native communities for climate justice.

But the reality we encounter in the mesmerising landscapes of Latin America’s salt flats is that the disastrous effects of the mining industry on earth inherently extend both upwards and downwards.

Aerocene imagines a future era in which we learn together to float and live in the air, but also in which we recognize that we cannot do so without reaching an ethical alignment to the atmosphere and our planet Earth.

Today we share this beautiful trip with the Aerocene community, through a selection of texts from the trip’s open logbook. We invite you to read the excerpts:

Photography by Studio Tomás Saraceno, © 2016

“The point is that what was expected was found wanting: the rains and liquid volumes were long overdue. So we kneeled and burnt incense, we encircled shrines and listened to the bemoaned wailings of agrarian villages crying to their lord – or lords – to turn it on, to bring the rain – it was long. long overdue.”

Jol Thoms

“Por la noche en el salar comenzó a soplar un viento infernal. Con la guitarra toqué algunas canciones para entrar en calor pero el frío y el viento hizo que me metiera en la pileta de lona con Tomás que estaba todo tapado con varias mantas en su bolsa de dormir. Una vez dentro de la pileta en mi bolsa de dormir y tapado con las mantas intenté nuevamente tocar la guitarra. Al sacar el mástil hacia arriba, el viento hizo vibrar las cuerdas produciendo unos sonidos y unas armonías ya que modificando la inclinación de la guitarra o girándola apenas iba variando una melodía con notas más graves o más agudas. El instrumento de cuerdas se transformó temporalmente en uno de viento. Más tarde nos dormimos con un cielo totalmente cubierto de estrellas.”

Maxi Laina

“Next morning we find the lake covered with Bubbles. No idea where they come from. Air inclusions rising from the salt ground? Algae blooms?…
The feeling of hovering in space is back a last time. When approaching the tripod of my camera I actually lose my balance. Jan is reporting the same feeling.”

Bernd Pröschold

“Arrivati in ostello, eravamo presi tutti da un’euforia strana, finalmente pioveva ed era una cosa importante non solo per il nostro progetto, ma anche per tutti gli abitanti di Coqueza che aspettavano questo giorno da varie settimane. La serata si è trasformata in una festa cantando, suonando la chitarra e giocando a carte!
La mattina dopo ci siamo svegliati all’alba, eravamo in mezzo a uno specchio d’acqua. Il cielo e le nuvole si riflettevano nel suolo, tutto era doppio e il sole brillava forte come mai ho visto prima.
Questo è stato uno dei giorni più speciali del mio viaggio e sicuramente un ricordo straordinario che porterò sempre con me.”

Martina Pellachi

“No tenemos agua, pero, tenemos sandía”
Sasha Engelmann

“It started to rain a few days before the end of the expedition, but the salt lake was so dry that the water just fully got absorbed.
Suddenly at night it started to rain seriously: you could hear it very loud on the zinc roof.
I went to sleep with this exciting feeling I had when I was a child and the first snow was falling during the evenings, just before bedtime.”
Daniel Schulz

Watch Tomas Saraceno with Aerocene TED Talk on

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Museo Aerosolar Cátedra Goldenstein – FADU UBA

El Museo Aerosolar es una construcción espacial efímera que promueve un estado de conciencia a favor del cuidado del medio ambiente al utilizar energía natural y bolsas de plástico recicladas como material de proyecto.

Iniciado en conversaciones entre Tomás Saraceno y Alberto Pesavento en 2007, el Museo Aero Solar se desarrolla en el espacio formado entre participantes humanos y no humanos en los simples actos de cooperación y reutilización de bolsas de plástico para producir colectivamente una escultura aerosolar, capaz de moverse en el aire, utilizando sólo la energía del Sol.

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El MAS gira la mirada hacia el aeroceno: una nueva era geológica centrada en el cuidado de la atmósfera. Es una invitación a cambiar nuestras actitudes más dañinas hacia el planeta y de promover una sensibilidad ecológica con la posibilidad de futuros más limpios.

En el 2013 por invitación del área de educación del Parque de la Memoria, el MAS fue realizado con la cátedra Goldenstein -Proyectual (CBC FADU UBA)- por primera vez. Desde entonces cada año se realiza una nueva construcción con cientos de estudiantes trabajando unidos en un solo equipo.

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Agradecemos especialmente a Joaquín Ezcurra y Carlos Almeida de la comunidad Aerocene por compartirnos sus conocimientos para ampliar los límites de esta maravillosa experiencia y a nuestros queridxs Paulina Gramón Vidal y Felipe Ramírez Vilches por las bellas fotografías y el video.

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Museo Aero Solar Cuarachi

Hoy nos sumergimos profundo en la historia del Museo Aero Solar (MAS), reviviendo uno de los MAS más asombrosos jamás construidos, por su ubicación única y remota en la selva peruana, por las duras condiciones ambientales que rodearon su nacimiento y, principalmente, por la resiliencia de la comunidad que participó en su construcción. Permítannos reflotar la historia del Museo Aero Solar Cuarachi.

En junio de 2014, un oleoducto estatal reventó en el departamento de Loreto, Perú, contaminando las aguas del río Marañón, del cual los lugareños habían construido su medio de vida durante siglos. La falta de cobertura mediática de esta catástrofe ecológica dejó a las comunidades nativas con pocas esperanzas de recibir ayuda del gobierno.

Los artistas Helga Elsner Torres y Ramiro Wong decidieron pasar a la acción y se pusieron en contacto con la ya consolidada comunidad del Museo Aero Solar, muy activa en Perú.

Helga y Ramiro, que conocían la técnica de construcción de la escultura en forma de tetraedro, junto con un pequeño grupo de artistas y activistas viajaron a la remota localidad de Cuninico. Con el objetivo de documentar el impacto del vertido de petróleo en colaboración con la comunidad Cocama, la que fue mayormente afectada, asumieron el reto de construir colectivamente un Museo Aero Solar.

Helga, en diálogo con la Comunidad Aerocene, recuerda la experiencia: “Viajamos con un buen amigo, Ramiro Wong, desde Lima a Iquitos, y desde ahí en barco 2 horas hasta Nauta. Desde Nauta navegamos durante 12 horas en un pequeño bote, hasta finalmente llegar a Cuninico. Allí una familia nos recibió en su casa y nos dió comida durante los días que nos quedamos trabajando en el proyecto. En una comunidad que vive de los recursos naturales como esta, luego del derrame de petróleo, era muy complicado conseguir pescado no contaminado para comer. Sin embargo, de lo poco que conseguían, nos lo compartieron. Todo el pueblo estuvo dispuesto a ayudarnos. ¡Hasta nos construyeron una balsa para realizar el Museo Aero Solar! Cuninico, a pesar de todas las desgracias por las que pasó, es el lugar con un paisaje más hermoso, cercano a la Reserva Nacional Pacaya Samiria y con la población más generosa que he conocido. Aunque debido a las condiciones climáticas, no pudimos cumplir con el objetivo de documentar el desastre en el tiempo previsto, decidimos que sería óptimo, donar estas esculturas a la comunidad. De esta manera, ellos tendrían una herramienta más para documentar y denunciar el derrame de petróleo. Asimismo nosotros, seguiríamos creando conciencia sobre esta noticia en otros lugares.

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Es por eso que Ramiro, Frances Munar Aparicio @francesmunar y yo exhibimos de la mano del artista Tomás Saraceno la experiencia del Museo Aero Solar en Cuninico, en el Museo 21er Haus en Vienna, Austria. La gente que asistió a la exposición y a la conferencia se quedó boquiabierta: ¿Cómo es posible que, con la máxima impunidad, estos desastres sigan sucediendo? ¿Quién logra hacer una escultura solar en el medio de la Amazonía?”

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En el proceso de armado de un Museo Aero Solar, la remota comunidad Cocama de Cuninico se unió compartiéndonos las miserias de la contaminación ambiental, pero también la alegría de construir juntos una inmensa escultura hecha con bolsas de plástico reutilizadas en las que escribieron sus historias documentando los peligrosos impactos que los vertidos habían tenido en el ecosistema circundante, y en sus propias vidas.

Todas las fotografías son de Helga Elsner, a quien agradecemos por colaborar con la historia del Museo Aero Solar!

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Museo Aero Solar Cuarachi

Today we dive deep into the history of the Museo Aero Solar (MAS), reliving one of the most amazing MAS ever built, due to its unique and remote location in the Peruvian jungle, the harsh environmental conditions that surrounded its birth and, above all, the resilience of the community that participated in its construction. Allow us to bring the story of the Museo Aero Solar Cuarachi back to life.

In June 2014, a state oil pipeline burst in the department of Loreto, Peru, contaminating the waters of the Marañón River, on which the locals had built their livelihoods for centuries. The lack of media coverage of this ecological catastrophe left the native communities with little hope of receiving help from the government.

Artists Helga Elsner Torres and Ramiro Wong decided to take action and reached out to the well-established and active Museo Aero Solar community in Peru.

Helga and Ramiro, who knew the technique of building the tetrahedron-shaped sculpture, together with a small group of artists and activists travelled to the remote village of Cuninico. With the aim of documenting the impact of the oil spill in collaboration with the Cocama community, which was mostly affected, they took on the challenge of collectively building a Museo Aero Solar.

Helga, in dialogue with Aerocene Community, recalls the experience:
“We travelled with a good friend, Ramiro Wong, from Lima to Iquitos, and from there by boat 2 hours to Nauta. From Nauta we sailed for 12 hours in a small boat, until we finally arrived in Cuninico. There, a family welcomed us in their house and gave us food for the days we stayed working on the project. In a community that lives on natural resources like this one, after the oil spill, it was very difficult to find uncontaminated fish to eat. However, what little they could get, they shared with us. The whole village was willing to help us, they even built us a raft for the Aero Solar Museum! Cuninico, in spite of all the misfortunes it has gone through, is the place with the most beautiful landscape, close to the Pacaya Samiria National Reserve and with the most generous population I have ever met. Although due to the weather conditions, we were not able to meet the objective of documenting the disaster in the time foreseen, we decided that it would be optimal to donate these sculptures to the community. In this way, they would have another tool to document and denounce the oil spill. We would also continue to raise awareness about this news in other places.

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That is why Ramiro, Frances Munar Aparicio and I exhibited the experience of the Aero Solar Museum in Cuninico at the 21er Haus Museum in Vienna, Austria, together with the artist Tomás Saraceno. The people who attended the exhibition and the conference were astonished: “How is it possible that, with the utmost impunity, these disasters continue to happen? Who manages to make a solar sculpture in the middle of the Amazon?

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In the process of putting together an Aero Solar Museum, the remote Cocama community of Cuninico came together sharing with us the miseries of environmental pollution, but also the joy of building together an immense sculpture made of reused plastic bags on which they wrote their stories documenting the dangerous impacts the dumping had had on the surrounding ecosystem, and on their own lives.

All photographs are by Helga Elsner, whom we thank for contributing to the Aero Solar Museum story!

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Aerocene Arcosanti with Joseph Becker and TSOA

On March 4th, 5th, and 6th, 2022, a group of students from The School of Architecture at Arcosanti flew an Aerocene Sculpture, as part of Professor Joseph Becker’s workshop “RAD/PED,” a three-day exploration of radical pedagogies.

Following the guides included in the Aerocene Backpack atmospheric exploration kit, the team launched an Aerocene sculpture from the spectacular roof of Arcosanti in Arizona, which was able to get aerosolar lift in very cold air. Embracing the do-it-together ethos of the Aerocene, the students also built and launched their own Museo Aero Solar Tetro sculpture out of a thin recycled-plastic drop cloth and plastic bags.

Arcosanti is an experimental town in the high desert of Arizona founded by Italian-American architect Paolo Soleri. Envisioned as an experiment in living frugally and with a limited environmental footprint, Arcosanti is an attempt at a prototype arcology, integrating the design of architecture with respect to ecology.

In dialog with the Aerocene Community, Professor Joseph Becker, who is the Associate Curator of Architecture and Design at the San Francisco Museum of Modern Art, expressed: “Cultural revolutions and moments of societal upheaval have contributed to ways of looking beyond the traditional and hierarchical formats of teaching, learning, and making. This workshop examined the circumstances and explores the techniques of a history of radical pedagogy in art and architecture.”

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Frontignano Art Walks, Italia

Museo Aero Solar Intiñan – COP20, Lima, Perú

We can become aerosolar

Aerocene at the Grand Palais – COP21, Paris, France

Around the world to change the world

Sven Steudte DL7AD in Houston

Meet Sven Steudte!

Under My Gaze

Salar de Uyuni – Bolivia expedition

EXPEDITION LOGBOOK
Sala de Uyuni, Bolivia
20.1338° S, 67.4891° W
3,656 metres above sea level

Read more about the fight for Climate Justice and against unsustainable Lithium Extraction

Watch Tomas Saraceno with Aerocene TED Talk on

Museo Aerosolar Cátedra Goldenstein – FADU UBA

Museo Aero Solar Cuarachi

Museo Aero Solar Cuarachi

Aerocene Arcosanti with Joseph Becker and TSOA

Stay up to date with Aerocene!

We can become aerosolar

Around the world to change the world

Meet Sven Steudte!

EXPEDITION LOGBOOK Sala de Uyuni, Bolivia 20.1338° S, 67.4891° W 3,656 metres above sea level

Read more about the fight for Climate Justice and against unsustainable Lithium Extraction

Watch Tomas Saraceno with Aerocene TED Talk on

EXPEDITION LOGBOOK
Sala de Uyuni, Bolivia
20.1338° S, 67.4891° W
3,656 metres above sea level